Posts Tagged ‘writing inspiration’

A Writer’s First Year: How a Writing Coach Helped a Shadow Writer Step into the Light

FROM OUR FIRST CONVERSATION, I knew Mona was a writer … although that notion was in complete contradiction to the fact that she didn’t write! Still. There was something about her that just felt like a writer—and as someone who spends most of my waking hours talking with writers, I was pretty confident in my assessment.

Julia Cameron talks about shadow artists. These are folks who long to have a more creative life, but instead live in the shadow of other creatives. Perhaps they manage a gallery instead of painting themselves, or, in the case of writers, read voraciously, but rarely put pen to paper. Before this past year, Mona may have been living in the writing shadows, but not anymore. Since we met, she’s taken many steps into the light. I’m grateful to her for sharing both a bit about her journey here and a beautiful piece of personal writing that shows her writer’s soul!

A Writer’s First Year
—Mona Newton

My writing year started when a friend invited me to join a blog group in early January. Participants received daily prompts from the organizer, wrote posts, and shared them with the group. Thinking I could learn from others and maybe connect with fellow wannabes, I jumped in, although I felt really insecure about my writing.

I am a rule follower, so I wrote to the suggested topic each day, though no one else seemed to. In fact, only a very few of the twenty or so other participants wrote at all. After a few weeks of limping along, trying my darnedest to get into the flow, I read our leader’s post about her writing coach, Jamie Morris.

Jamie’s enthusiasm gave me a positive vibe—I could do this. I could explore writing in a safe, fun, educational environment with a writing coach! I had asked and the Universe had delivered something better than the blog group.

Then I broke my wrist while skiing. Immediately, my very active life became sedentary. It turned out to be the break (no pun intended) I needed to slow down and explore the short “writing opportunities” Jamie offered me. I wrote about a painting in my living room, about hotel carpet, about my long-dead fish, Beta (see story below). As winter melted into summer, I took walks and wrote about what I’d seen along the way.

And Jamie and I wrote together, too. In those sessions, I noticed how unfamiliar I am with spilling out my ideas. I keep circling authors whose books I’ve read and am in awe at how they are able to write hundreds of pages of really good words, all strung together, while the writing I produce seems still to be so elementary.

I struggle to imbue myself in the pieces I write, and I struggle to find the words. And I still have stretches where I just don’t write. But when I do, sometimes I am actually pleased with what I write—like I am with this piece.

Betta Fish

My friend Marcella was giving betta fish as party favors at her daughter’s high school graduation party. I decided to take one with me to my apartment, 350 miles away. Like my cousin Danette, my nephew Chris, and my niece Sonia, I took a bright red one. To make the fish’s trip as comfortable as possible, I carefully packed his bowl in a box with a towel around it. The temperature was in the 90s. Fortunately, my car had excellent air conditioning.

I’d never owned a fish before, but the idea of a pet in my little apartment put a smile on face. I named him Beta. Bettas are fighters; they don’t do well with other fish in their tank. Even when people stooped to talk to him at eye level, he’d do his aggressive dance, coming up to the side of his one-gallon tank, puffing out his gills to make his head look bigger, and attacking them, by swimming in reverse, then charging forward, stopping right before he hit the side of the tank.

But Beta was really friendly to me. He would greet me when I talked to him. I was convinced he recognized me! When he was feeling particularly friendly, he’d wave his little fins at me when I looked him in the eye. In the morning when I fed him, I would drop of couple of flakes into the tank; he would swim around one of them and then attack it, munching it down quickly. 

My neighbors Peg and Mike took care of Beta when I’d leave town for more than a couple of days. After watching him for over a year, they would joke when I took him over to their apartment that he was going to camp—Betta Camp. He was pretty entertaining for all of us.

One day, though, after he’d been in my care for three years, he started acting less frisky, looking a little gray below his mouth. After researching on the internet, I concluded he was sick, not dying. The guy at the pet store who sold me the Betta Fix, which was the medicine to cure him, told me a typical betta lifespan was about three years. The internet said two to five years. I was determined to get Beta past three, even to five. 

I changed his water frequently, didn’t overfeed him, and of course I talked to him. But he didn’t make it. After a few days of hanging out at the top of his tank on a floating plastic plant, he died. I came home from work to find him standing on his tail leaning against the little Buddha in his tank. For his final swim, I took him down to the Roaring Fork River and let him go in the current, thanking him for being my companion.

Hopefully, in a complete cycle, he was food for another fish, or a bird that spotted his bright red body from high in the sky.

*

In December, Mona asked herself, “Am I done with this experiment?” A gut check told her no, she’s not done. There’s more she wants to explore in this coming year. She reported that she’s signed up for two classes, one with Natalie Goldberg and one at her local college. She’ll  also continue working on a longer piece, about Georgia O’Keefe and  Mabel Dodge Luhan, that she started last year, hoping to find a place for its publication. But whether or not she does, Mona told me she’ll keep going, approaching writing with perseverance and gusto, the way she likes to approach the rest of her life (especially skiing!).

* * *

I hope you found this inspiring. Got a dream? Be like Mona! Go for it—even if you take it tortoise-slow and with the tiniest of baby steps. Just give it a year and see how far you’ve come.

Need help with your book? I’m available for book coaching!

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A Not-Too-Sweet Love-Letter Writing Prompt

BACK IN THE DAY, Shakespeare, sick of the sticky-sweet love sonnets of his time—the kind that compared women’s eyes to placid lakes and their tresses to molten gold—penned a send up, “Sonnet 130.” In it, the Bard refutes any likeness his lover might have to the beauties of nature. Instead, mocking his sonnet-making contemporaries, Shakespeare harshly negates his love’s charms. And yet … and yet …

My mistress’ eyes are nothing like the sun (Sonnet 130) 

My mistress’ eyes are nothing like the sun; 
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun; 
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks; 
And in some perfumes is there more delight 
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know 
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.     
And yet, by heaven, I think my love as rare      
As any she belied with false compare.

—William Shakespeare

Writing prompts

1) Now, that you’ve read (and enjoyed?) “Sonnet 130,” try modeling it! Is there someone (or something) you love in an unconventional way? Or whom you see as unconventional? How does your love stray from the ordinary way of things?

Even trickier, can you do the opposite of damning with faint praise by, as Shakespeare does, praising with a two-edged sword of truth?

2) Alternatively, write a love letter (or a poem or a personal essay or a scene for a novel or a short story) in which you or a character declares love for someone—at length and in detail—without using the word “love” or any of its synonyms!

(Bonus points for creating a sonnet! You’ll find descriptions of various sonnet forms and some instructions to help you get a sense of how they’re constructed on the LITERARY DEVICES website.)

Writing inspiration

Want some musical inspiration? Here’s a link to Sting’s song “Sister Moon,” which appears on his album NOTHING LIKE THE SUN.

Need help with your book? I’m available for book coaching and manuscript review!

Cut and Paste: A Crafty Writing Prompt

WHEN I WAS A LITTLE KID, I was mesmerized by the sound of Captain Kangaroo’s scissors chomping through construction paper. I still love paper crafts—so it was a given that I’d love this LITERAL cut-and-paste writing exercise.

This prompt, which appears in poet Pat Schneider’s wonderful book WRITING ALONE AND WITH OTHERS, is a bit complicated—but, to me, the scissors and glue (not to mention the sometimes eerie results) make it worth it. (And, of course, it’s almost as cool if you do an electronic cut and paste!)

Writing prompt

STEP ONE: WRITE
Create (or dig out from your writing journals), two short poems, five to ten lines each. One poem should have a gentle, happy, or peaceful tone. The other poem should have an agitated, angry, or distraught tone.

Alternatively, you might use a paragraph (of equal-ish length) of two prose pieces. Again, one piece should have a gentle, happy, or peaceful tone, and the other, an agitated, angry, or upset tone.

STEP TWO: CUT
Cut your poems—or paragraphs—apart, line by line as they appear on the page (NOT sentence by sentence). Here’s an example from the beginning of a paragraph I found in my journal to demonstrate how/where to cut:

I wandered in my neighborhood today and saw that the Halloween 

cut here >  – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

decorations were up everywhere, giving a sort of orange-and-black cadence 

cut here >  – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

to the crisp October afternoon. This lifted my spirits, almost as if . . . 

cut here >  – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

STEP THREE: PASTE
Alternating lines from your first and second pieces, paste them together to make a single new piece. Don’t worry! It’s not supposed to make literal sense. But the poetic sense the juxtaposed lines create can seem quite uncanny.

FOR EXAMPLE
I’ve created an example for you using two short poems—really just two ideas, only a couple of sentences each. The green lines are the first piece I wrote—the quiet one. The black lines are the second—the uneasy tone. I didn’t edit, just broke the lines apart and shuffled them back together. I did tweak the punctuation—and I’m not sure it improved matters. Maybe it would be better without punctuation?

Quiet now, neighbors gone to sleep, to rest.
The tension builds like paint; it flakes in scabs.
No more radio, backyard conversations
that reveal the raw red rash of remarks beneath
the buzzing tools that tame the yards,
the civility that is thinner than the peeling paint.
No more laughter
that chips when hands are extended to be shaken.
Only swaying branches, a quiet cloud,
or the window rolled down to wave, like in self-defense,
the bats dipping and silent on the invisible breeze,
the white flag of proximity.

If you’re struggling to loosen up your writing, this is a great way to lose control of intending a meaning and, instead, discovering the meaning that happenstance may provide.

Writing inspiration

The Dadaists, and then William Burroughs, created similar techniques. Check out the Cut-Up Machine on the Language Is a Virus site to play further with this and other writing games for grownups!

Need help with your book? I’m available for book coaching and manuscript review!

If the Queen of Wands Were Your Writing Coach: Some Tarot-Headed Writing Advice

IF TAROT’S QUEEN OF WANDS WERE YOUR WRITING COACH, she would be your enthusiastic champion, your star-spangled cheerleader! She’d laud your literary talent and encourage you to hold to your creative vision, even when others question it. You see, she believes your pen is your magic wand—that it brings to life the imaginative worlds that live inside you.

An independent sort herself, the Queen of Wands would advocate for your independence. She’s not a joiner, so she wouldn’t necessarily suggest you find yourself a critique group. But she’s a hard worker and would expect you to be one, too. In her no-nonsense style, she’d tell you dig in—and maybe hand you a bullet-point list like this one to show you exactly what she means:

  • Read widely in your genre—especially books that have been published in the last three years.
  • Check out blogs and YouTube videos that feature literary agents weighing in on what makes a book attractive to them and what doesn’t.
  • Take classes—online (Gotham Writers has a good reputation) or at your local community college, no matter. Just open your heart to how others approach the craft. Then, take what you like and leave the rest.
  • Create a writing schedule—and stick to it.
  • Finish a draft, then get a good reader to review it (you might hire a pro, ask the smartiest smarty pants in your book group to take a look, or trade for pet-sitting with a neighbor who talks regularly and intelligently about the books she reads).

And after you’ve done all that, the Queen would give you a high five, pat you on the back, and tell you, in her heartiest voice, to go back now and revise, revise, revise.

Writing inspiration

For some fired-up examples of literary Queens of Wands who dig in, check out Anne Lamott’s BIRD BY BIRD: Some Instructions on Writing and Life and Amy Tan’s “Angst and the Second Book,” from her essay collection THE OPPOSITE OF FATE (which I quoted in a post on surviving the writer’s winter).

* * *

Thank you to U.S. Games Systems, Inc. for kind permission to use the image of the Queen of Wands from the PHANTASMAGORIC THEATER TAROT.

Need help with your book? I’m available for book coaching and manuscript review!

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20 (or so) Novels That Have Impacted Our Lives and Imaginations

ON OUR WEEKLY WALK AND BOOK CHAT, Jill and I started listing novels that have had a long-lasting impact on us. As we built our personal canon, we were not necessarily reflecting on the same considerations that Karen Swallow Prior, author of ON READING WELL: Finding the Good Life through Great Books, explores in her essay “How reading Makes Us More Human,” in THE ATLANTIC. But we were close!

Here’s our list (and below that, if you’re a list-aholic—or just looking for more reading recommendations—you’ll find links to three more lists to help satisfy your reading itch).

Reading (and writing) inspiration

(Okay. There are more than 20 books on this list. Mostly, because while Jill and I agreed on many authors, we almost always chose a different book from their oeuvre. But also because there are just so many books … and we got excited.)

And now, in no particular order …

THE BURIED GIANT, NEVER LET ME GO, Kazuo Ishiguro

AS I LAY DYING, William Faulkner

THE GREAT GATSBY, F. Scott Fitzgerald

MARIANNE DREAMS, Catherine Storr

THE HEART IS A  LONELY HUNTER, Carson McCullers

WOLF HALL, Hilary Mantel

ATONEMENT, Ian McEwan

THE SECRET GARDEN, A LITTLE PRINCESS, Frances Hodgson Burnett

LOOK HOMEWARD ANGEL, THOMAS WOLFE

THE HOBBIT, THE LORD OF THE RINGS, J. R. R. Tolkien

STRONG POISON, HAVE HIS CARCASEGAUDY NIGHT, BUSMAN’S HOLIDAY, Dorothy L. Sayers

HER FEARFUL SYMMETRY, Audrey Neffenegger

PRIDE AND PREJUDICE, PERSUASION, Jane Austen

TURN OF THE SCREW, Henry James

STAR WARS (yes, the novel),GEORGE LUCAS

LITTLE WOMEN, Louisa May Alcott

THE BONE CLOCKS, David Mitchell

JONATHAN STRANGE & MR NORRELL, Suzanna Clarke

HUCKLEBERRY FINN, Mark Twain

A HUNDRED YEARS OF SOLITUDE, Gabriel García Márquez

THEIR EYES WERE WATCHING GOD, Zora Neale Hurston

IF ON A WINTER’S NIGHT A TRAVELER, INVISIBLE CITIES, and anything else, says Jill, by Italo Calvino

HARRIET THE SPY, Louise Fitzhugh

More literary resources

The 50 Most Influential Books of All Time, listed on the Open Education Database (OED)

25 Books That Will Change Your Life, by Yasmeen Piper, on Book Riot

13 Women Reveal the Book That Had the Biggest Impact on Their Lives, by Charlotte Ahlin, on BUSTLE

* * *

The photo illustrating this post is by Pouya sh, who generously made it available under the Creative CommonsAttribution-Share Alike 3.0 Unported license.

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Quick-Start/Fast-Finish Writing Prompt! For Writers with Little Time

THIS IS A QUICK WRITING PROMPT, great for when you want to stretch your creativity but don’t have much time to play!

Writing prompt

First, pick a short form to write in today. Poem? Flash fiction? Short story? Snapshot memoir? Profile? Exposé?

Next, pick the first line of a published novel, poem, essay, or even a particularly enticing recipe!

For instance:

Then, pick the last line of a different published novel, poem, essay, recipe or _____ (fill in the blank), that’s not necessarily in the same genre as the first line.

For instance:

Finally, using the published (or found) first line as your first line, and the published (or found) last line as your last line, write your way from first line to last line, taking as many lines as you need to incorporate the ending in a way that makes (some) meaning of the journey from first to last.

Writing inspiration

Need more examples? Writer’s Digest has a list of Best Opening Poetry Lines just for you!

* * *

That photo of someone stretching a rubber band like you stretching your creativity is from Science Generation.

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Improv + Writing = High-Wire Fun (A Tarot-ish Writing Prompt)

I TOOK IMPROVISATIONAL ACTING CLASSES FOR A COUPLE OF YEARS. This exercise is the perhaps unorthodox child of those experiences and my crazy love of a complicated writing prompt. Here’s how I offered it in a writing workshop, once upon a time …

Writing prompt

With Six You Get Egg Roll
Start by describing a vacant setting. One character enters—with justification. (Why did your character come “on stage”? What are they after? Add some internals to let your reader know.)

After a bit, a second character joins the first—also with justification. Characters One and Two interact. Then Character Three joins the cast. All three play their roles, until Number Four, and then Five, enter in turn. (Add a Number Six, and you win the egg roll!)

Five Fingers on My Hand
The trick? All your characters enter with reasonable justification, each has an agenda, and your drama engages them all: Think, mini-scenes, embroilment, cross-talk, cross-purposes, competition.

Count Down
Then, for equally good reasons, in reverse order of their entrances, each character leaves the scene until your setting is once again an empty stage.

Harold and Maude
Improv actors will recognize this exercise as a Harold, a classic improv device. Writers will recognize this exercise as a neat trick that forces them out of the box of two- or even three-character scenes. Past Monday night workshoppers will recognize this as a fresh pat of butter used to sizzle the creative (vegan) bacon of their agile brains.

What do you think?
Five? Six? Seven? How many characters can you get on and off the stage of your story while still holding tight to the belt loop that suspends your reader’s disbelief?

Tarot-ish

The “tarot” part of this writing prompt is illustrated by the Five of Wands from THE STEAMPUNK TAROT, by Barbara Moore and Aly Fell, and used here with kind permission of Llewellyn Worldwide.

As you can see in the image above, five characters are engaged in a confrontation of some sort. The Five of Wands typically represents a hotly contested competition, a chaotic bid for power between factions, opposing voices or ideas, or a flair-up of conflicting goals.

Whether it’s a family drama, a bar brawl, or a political debate gone bad, it’s never pleasant to find ourselves smack in the middle of such a real-life clash of energy. However, if your fictional characters start acting out like this, you’re in luck!

Writing inspiration

From A GAME OF THRONES, by George R. R. Martin; to THE KNOWN WORLD, by Edward P. Jones; to SCORPION STRIKE, by John J. Nance, big conflicts drive big stories. Dramatic books about sports, like CHARIOTS OF FIRE, by W. J. Weatherby; SELECTION DAY, by Aravind Adiga; and FRIDAY NIGHT LIGHTS, by H. G. Bissinger, get much of their juice from the tension brought by competition. And family dramas? Well, they are dramatic precisely because of the strife experienced between characters with the most intimate of bonds.

So, while you probably don’t want to court such struggle in your day-to-day relationships, when you’re writing fiction, slap a version of the Five of Wands up on your inspiration board as a reminder to let your major characters knock each other around with big (metaphoric) sticks … until the dust settles and a winner emerges from the fray.

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Bet You Can Do Better Than IKEA! (A Very Useful Writing Prompt)

WRITING CAN LIFT US TO FLIGHTS OF FANCY or, like a draft mule, it can pull the plow of practicality from one end of the field to the other. Here, we explore the mule end of the spectrum, with what’s called a “process essay.”

The process essay (which you might remember from your Comp 1 class) offers step-by-step directions to guide a reader through a task. Sure, it’s more about treading the well-tilled field of communication than lifting off into the wild blue of fantasy. But it can be a playful form as well as an informative one—and it’s a good exercise in organizing your thoughts on the page. (Sound too boring to even consider? Look below for some reasons you might want to give it a try!*)

Writing prompt: the process essay (which, with some clever packaging, can double as a holiday gift, if you’re well and truly stuck!*)

Start by identifying a skill at which you excel. It could be something simple, like writing an Amazon review, driving a stick shift, or grooming a standard poodle. On the more complex end of the spectrum, you might know exactly how to prepare for an Ironman Triathalon, paint the exterior of a house on the National Register of Historic Places, or outline a novel!

This is the stuff of YouTube video tutorials … but you’re going to slow it down, writing out each step in a way that a reader can follow. (Think IKEA assembly instructions—only with words … and humanly possible.)

*Why write a process essay?

Since ’tis the season, you might include a process essay as part of gift! For example, you could write out your mulled cider recipe and package it with the ingredients needed to brew up a pot. Or you might wrap up a few dreidels, with instructions about how to play the classic Hanukkah game. Or, if you’re a killer door-wreath creator, along with the wreath you give, share the details of how you fancy up those bauble-laden bad boys!

If you blog or teach or coach, you might want to use this opportunity to create written instructions for something your students or readers would benefit from, then use those instructions in a blog post or lesson. (Handouts, anyone?)

And if you write fiction, writing a process essay can take you deep into your main character’s area of expertise. Our fictional folks have entire lives gliding beneath the surface of the stories we tell about them. Knowing your stuff about what they do and how they do it will add depth and authority to your literary worlds!

Finally, if you really, really, REALLY like doing this exercise, you might have a calling as a technical writer.

Writing inspiration

Want some step-by-step directions to writing your step-by-step process essay? Check out this article on the BEST ESSAY TIPS website.

Travel essays often include aspects of process writing. For instance, the writer might explain how to get to a location, how to stay safe once you’re there, how to find the best bargains, or how to discover the most exotic meals. Check out the 2019 edition of the annual THE BEST AMERICAN TRAVEL WRITING, edited by Jason Wilson and Alexandra Fuller for examples.

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A Long Way Down (Tarot Writing Prompt)

THE CHARIOTEER, WITH HIS FOOTBALL-PLAYER SHOULDERS, is determined. He has all his ducks (and sphinxes) in a row. He’s laurel-wreathed and star-crowned. He’s got promise, dude! Get such a character in your sights—maybe modeling them on someone you know (or someone you used to be?)—and write about an early success they’ve had.

For instance,

  • She led her high school debate team to their winning-est season ever, then earned a full scholarship to UCLA, graduating summa cum laude in political science.
  • Or, he was an Olympic equestrian hopeful, riding six-figure horses at the age of fifteen.

Next, fast forward ten years and look them up—only to find they’ve fallen deep into a well of circumstances that really surprise you, given their early promise.

For instance,

  • She stays home with five young kids, now, and is supporting her husband’s bid for county commissioner.
  • Or he, horses a thing of the past, has become a beast of burden himself, humping forty-pound bags of feed and bales of hay at the local feed store.

What happened? Did she trip over her own hubris, too confidently taking on a project she couldn’t complete? Or did his attempt to besmirch a competitor’s reputation and steal their ride backfire? Are they in a slump from which they can’t seem to emerge? (Cue movie montage of a collapsed main character, unable to get out of bed, litter box stinking, produce that used to be whirled into fabulous energy smoothies moldering in their refrigerator’s produce drawer.)

Tarot writing prompt

However they got here, your character is drowning at the bottom of life’s pickle barrel. How can you help them? What kind of stakes can you create that will light a fire under your once-optimistic little charioteer and get them to rejoin the race?

  • Do you bring her face to face with an instance of social injustice that directly threatens her family—hoping she’ll get busy writing letters to the editor, canvassing her neighborhood, and speaking passionately at meetings of her local government?
  • Or, do you place a once magnificent, now-neglected horse in a field he passes on his way to work—hoping he’ll rescue it and bring both it and himself back to the glory of their earlier days?

Whatever their predicament, look into your character’s past and find the makings of a virtual cattle-prod of a motivation to jolt them back into the saddle again!

Writing inspiration

WORKING GIRL,1988 comedy, starring Melanie Griffith and Harrison Ford
GREAT EXPECTATIONS, by Charles Dickens
“New York, New York,” composed by John Kander, lyrics by Fred Ebb

* * *

Thanks to U.S. Games Systems, Inc., for kind permission to use the image of The Chariot from the RIDER-WAITE TAROT.

 

Dueling Pens: Writing Together

MONA AND I WRITE TOGETHER EVERY FEW WEEKS. Well. “Together.” Since she lives in Colorado and I’m in Florida, we meet by phone, pulling prompts from our back pockets and slinging them down the phone line like challenges, then setting a timer, and writing as fast as we can.

Generally, we write three times—never for long. Five minutes, ten at the most. But why write together at all? Because we find working this way freshens our brains. It pushes us to write faster, stretch further, and let ourselves get just a little bit wilder. We loosen up, timed writing by timed writing, until, usually, we both end up with something we like, even if it’s just a few sentences.

Today, we started with Natalie Goldberg’s “I remember” prompt. While I wrote about palmettos and pines and a sweet, young calico cat who followed my friend Mary and me on a meandering walk in the woods, Mona wrote about a recently stolen bike, remembering it as “thistle-colored,” like the favorite Crayola crayon of her youth.

For our second prompt, I texted Mona a photo of an abstract painting. After we wrote, we read to one another, and I learned that while I saw the red-and-black center of the painting as a black box of shame going up in flames, Mona saw it as a poppy. Hmm.

For our final prompt, I read us the poem “How to Listen,” by Major Jackson, from his collection LEAVING SATURN. Because time was short, we wrote for just three minutes.

Mona started from Jackson’s imagery, then left him behind and blazed her own trail:

The crackly stars, gray corkscrew curls pull into the feeling of listening, how we might listen to our loved ones, friends, and neighbors. The Vietnam War. How could we not listen to that crackling sound of guns and whirr of helicopters on the nightly news? How could anyone turn away.

For my part, I made some wild associative leaps:

What?

Did I tell you about my deaf ear?
And my mother’s? And my grandmother’s?
“Is it on purpose?” you ask.
“Maybe. It’s easier that way—to hear less.”

And Winter the cat, with mangled cartilage for ears.
“How is his hearing?” I asked the woman who’d fostered him.
“Selective,” she said.
Which has proved to be right.

But when I tried to explain my own hearing
to the eager girl on the yoga mat beside me,
whom I can never understand,
her words, sentences, ideas, baffling, like moths,
furry in my ears,
she told me, as clearly as anything she’s ever said,
“I’m blind in my right eye.”

Group writing inspiration

In WRITING ALONE AND WITH OTHERS, Pat Schneider shares many wonderful writing prompts and offers valuable guidelines to keep writing with others safe and productive.

Natalie Goldberg‘s WRITING DOWN THE BONES and WILD MIND have provided seemingly endless inspiration for myself and the writers I work with, encouraging us to be fresh and free-minded, and to seek the healthy companionship of other writers.

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