Posts Tagged ‘writing advice’

A Writer’s First Year: How a Writing Coach Helped a Shadow Writer Step into the Light

FROM OUR FIRST CONVERSATION, I knew Mona was a writer … although that notion was in complete contradiction to the fact that she didn’t write! Still. There was something about her that just felt like a writer—and as someone who spends most of my waking hours talking with writers, I was pretty confident in my assessment.

Julia Cameron talks about shadow artists. These are folks who long to have a more creative life, but instead live in the shadow of other creatives. Perhaps they manage a gallery instead of painting themselves, or, in the case of writers, read voraciously, but rarely put pen to paper. Before this past year, Mona may have been living in the writing shadows, but not anymore. Since we met, she’s taken many steps into the light. I’m grateful to her for sharing both a bit about her journey here and a beautiful piece of personal writing that shows her writer’s soul!

A Writer’s First Year
—Mona Newton

My writing year started when a friend invited me to join a blog group in early January. Participants received daily prompts from the organizer, wrote posts, and shared them with the group. Thinking I could learn from others and maybe connect with fellow wannabes, I jumped in, although I felt really insecure about my writing.

I am a rule follower, so I wrote to the suggested topic each day, though no one else seemed to. In fact, only a very few of the twenty or so other participants wrote at all. After a few weeks of limping along, trying my darnedest to get into the flow, I read our leader’s post about her writing coach, Jamie Morris.

Jamie’s enthusiasm gave me a positive vibe—I could do this. I could explore writing in a safe, fun, educational environment with a writing coach! I had asked and the Universe had delivered something better than the blog group.

Then I broke my wrist while skiing. Immediately, my very active life became sedentary. It turned out to be the break (no pun intended) I needed to slow down and explore the short “writing opportunities” Jamie offered me. I wrote about a painting in my living room, about hotel carpet, about my long-dead fish, Beta (see story below). As winter melted into summer, I took walks and wrote about what I’d seen along the way.

And Jamie and I wrote together, too. In those sessions, I noticed how unfamiliar I am with spilling out my ideas. I keep circling authors whose books I’ve read and am in awe at how they are able to write hundreds of pages of really good words, all strung together, while the writing I produce seems still to be so elementary.

I struggle to imbue myself in the pieces I write, and I struggle to find the words. And I still have stretches where I just don’t write. But when I do, sometimes I am actually pleased with what I write—like I am with this piece.

Betta Fish

My friend Marcella was giving betta fish as party favors at her daughter’s high school graduation party. I decided to take one with me to my apartment, 350 miles away. Like my cousin Danette, my nephew Chris, and my niece Sonia, I took a bright red one. To make the fish’s trip as comfortable as possible, I carefully packed his bowl in a box with a towel around it. The temperature was in the 90s. Fortunately, my car had excellent air conditioning.

I’d never owned a fish before, but the idea of a pet in my little apartment put a smile on face. I named him Beta. Bettas are fighters; they don’t do well with other fish in their tank. Even when people stooped to talk to him at eye level, he’d do his aggressive dance, coming up to the side of his one-gallon tank, puffing out his gills to make his head look bigger, and attacking them, by swimming in reverse, then charging forward, stopping right before he hit the side of the tank.

But Beta was really friendly to me. He would greet me when I talked to him. I was convinced he recognized me! When he was feeling particularly friendly, he’d wave his little fins at me when I looked him in the eye. In the morning when I fed him, I would drop of couple of flakes into the tank; he would swim around one of them and then attack it, munching it down quickly. 

My neighbors Peg and Mike took care of Beta when I’d leave town for more than a couple of days. After watching him for over a year, they would joke when I took him over to their apartment that he was going to camp—Betta Camp. He was pretty entertaining for all of us.

One day, though, after he’d been in my care for three years, he started acting less frisky, looking a little gray below his mouth. After researching on the internet, I concluded he was sick, not dying. The guy at the pet store who sold me the Betta Fix, which was the medicine to cure him, told me a typical betta lifespan was about three years. The internet said two to five years. I was determined to get Beta past three, even to five. 

I changed his water frequently, didn’t overfeed him, and of course I talked to him. But he didn’t make it. After a few days of hanging out at the top of his tank on a floating plastic plant, he died. I came home from work to find him standing on his tail leaning against the little Buddha in his tank. For his final swim, I took him down to the Roaring Fork River and let him go in the current, thanking him for being my companion.

Hopefully, in a complete cycle, he was food for another fish, or a bird that spotted his bright red body from high in the sky.

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In December, Mona asked herself, “Am I done with this experiment?” A gut check told her no, she’s not done. There’s more she wants to explore in this coming year. She reported that she’s signed up for two classes, one with Natalie Goldberg and one at her local college. She’ll  also continue working on a longer piece, about Georgia O’Keefe and  Mabel Dodge Luhan, that she started last year, hoping to find a place for its publication. But whether or not she does, Mona told me she’ll keep going, approaching writing with perseverance and gusto, the way she likes to approach the rest of her life (especially skiing!).

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I hope you found this inspiring. Got a dream? Be like Mona! Go for it—even if you take it tortoise-slow and with the tiniest of baby steps. Just give it a year and see how far you’ve come.

Need help with your book? I’m available for book coaching!

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If the Queen of Wands Were Your Writing Coach: Some Tarot-Headed Writing Advice

IF TAROT’S QUEEN OF WANDS WERE YOUR WRITING COACH, she would be your enthusiastic champion, your star-spangled cheerleader! She’d laud your literary talent and encourage you to hold to your creative vision, even when others question it. You see, she believes your pen is your magic wand—that it brings to life the imaginative worlds that live inside you.

An independent sort herself, the Queen of Wands would advocate for your independence. She’s not a joiner, so she wouldn’t necessarily suggest you find yourself a critique group. But she’s a hard worker and would expect you to be one, too. In her no-nonsense style, she’d tell you dig in—and maybe hand you a bullet-point list like this one to show you exactly what she means:

  • Read widely in your genre—especially books that have been published in the last three years.
  • Check out blogs and YouTube videos that feature literary agents weighing in on what makes a book attractive to them and what doesn’t.
  • Take classes—online (Gotham Writers has a good reputation) or at your local community college, no matter. Just open your heart to how others approach the craft. Then, take what you like and leave the rest.
  • Create a writing schedule—and stick to it.
  • Finish a draft, then get a good reader to review it (you might hire a pro, ask the smartiest smarty pants in your book group to take a look, or trade for pet-sitting with a neighbor who talks regularly and intelligently about the books she reads).

And after you’ve done all that, the Queen would give you a high five, pat you on the back, and tell you, in her heartiest voice, to go back now and revise, revise, revise.

Writing inspiration

For some fired-up examples of literary Queens of Wands who dig in, check out Anne Lamott’s BIRD BY BIRD: Some Instructions on Writing and Life and Amy Tan’s “Angst and the Second Book,” from her essay collection THE OPPOSITE OF FATE (which I quoted in a post on surviving the writer’s winter).

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Thank you to U.S. Games Systems, Inc. for kind permission to use the image of the Queen of Wands from the PHANTASMAGORIC THEATER TAROT.

Need help with your book? I’m available for book coaching and manuscript review!

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Give YOURSELF These 12 Gifts for the New Year, Writer!

DAYS SPEED BY, BUT WRITING GOES SLOW. It’s in its nature. We pre-write, draft, redraft, review, revise, edit, and proofread—just to get 500 decent words where we want them. Instead of railing against the constraints time puts on our writing process, we can choose to drop below time’s dictates and give ourselves an opportunity to move at the pace of writing, rather than demanding our writing perform at the hectic pace of life.

To that end, here are twelve gifts to give to your writerly self this coming year. You might want to unwrap one a month between now and next December. May each of these exercises nourish your writing needs and give your creative self a chance to breathe.

1. Visit a used bookstore. Browse dusty shelves for treasure. Settle on the floor in the picture book aisle and allow your inner kid to journey through the illustrated worlds you find there.

2. Journal. Curl up on the couch one Sunday morning and write with no agenda, no goal. Take this time to discover what you think, what you feel, what you mourn, what you hope for … all by writing it down.

3. Discover a new-to-you author. Ask writing pals to recommend writers they think you’d enjoy. Check out the new releases section of your local library. Or read THE NEW YORK TIMES Book Review, join a book group, or sign up for Goodreads. Let other writers share their gift with you this year.

4. Start a manageable new writing project. Perhaps you’ve always wanted to create a kids’ book about a favorite toy. Or compile your grandmother’s recipes, updated to make the most of today’s kitchen gadgetry. Or collect photographs of your cats, caption the images, and produce a few copies just for you and your cat-crazy friends (or is that just me?). A new project can add fuel to your writing life. Just make sure it’s the right size to bring to completion this year. Because writing “The End” on a draft is a sweet reward for a (small) job well done.

5. Make a date with a writing pal. A cup of coffee, a croissant, and congenial company create the perfect ambiance for a few quick, free-writing sessions. (I’ve got about a zillion writing prompts on my blog that you’re welcome to use for this purpose! Just search “prompts.”)

6. Take a walk. While you’re strolling, keep an eye out for interesting sights and occurrences. Maybe snap a few pictures along the way. When you get home, take just ten minutes to write about what you saw.

7. Record your dreams. Keep a notebook by your bed and jot details from your dreams a few mornings in a row. This lets your unconscious know you’re listening, making it more likely that it will offer up the fresh goods next time you need access to its wild, imaginative leaps.

8. Nap. Or, if you’re not a napper, steal an hour out of an otherwise busy day for horizontal couch time. Flick through a magazine (check out THE SUN MAGAZINE!), or read a short story or personal essay. Snuggling with an available cat, optional.

9. Take a writing retreat. Depending upon your resources, this might be a month-long writing residency on Martha’s Vineyard, four days at the Rocky Mountain Fiction Writers retreat, or a weekend holed up in your own cozy den with no interruptions and no other plans but to read and write.

10. Follow your nose. You know how sometimes you’re online looking for one thing and something else catches your eye? And reading about that next thing, you see something even more intriguing? Great! Indulge that! Follow your nose from interest to interest, filling the thirsty well of your mind with tidbits that may come in handy in some future writing project—or may not. Even if you never use any of that cool stuff, I bet your writing self considers the time well spent. (Brain Pickings is a great place to start your nose-following quest!)

11. Earmark November. Each November, writers around the world take on the NaNoWriMo challenge. Short for “National Novel Writing Month,” NaNoWriMo provides support to get bigger projects done. While the NaNo official goal is 50,000 words on the first draft of a new novel, you might piggyback on NaNoWriMo’s energetic community to complete a more modest project—a short story, for instance, or one of those manageable projects you started back at number 4!

12. Throw your writer self a party. Pull out all the writing you’ve created this year and celebrate the sheer number of words you got on the page. Raise a glass, bake a cake, fling confetti. You’ve done good. Congratulations!

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Marina Shemesh has released this “Balanced Stones On White Background” image under Public Domain license CC0 Public Domain. I appreciate the opportunity to use it here.

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Bet You Can Do Better Than IKEA! (A Very Useful Writing Prompt)

WRITING CAN LIFT US TO FLIGHTS OF FANCY or, like a draft mule, it can pull the plow of practicality from one end of the field to the other. Here, we explore the mule end of the spectrum, with what’s called a “process essay.”

The process essay (which you might remember from your Comp 1 class) offers step-by-step directions to guide a reader through a task. Sure, it’s more about treading the well-tilled field of communication than lifting off into the wild blue of fantasy. But it can be a playful form as well as an informative one—and it’s a good exercise in organizing your thoughts on the page. (Sound too boring to even consider? Look below for some reasons you might want to give it a try!*)

Writing prompt: the process essay (which, with some clever packaging, can double as a holiday gift, if you’re well and truly stuck!*)

Start by identifying a skill at which you excel. It could be something simple, like writing an Amazon review, driving a stick shift, or grooming a standard poodle. On the more complex end of the spectrum, you might know exactly how to prepare for an Ironman Triathalon, paint the exterior of a house on the National Register of Historic Places, or outline a novel!

This is the stuff of YouTube video tutorials … but you’re going to slow it down, writing out each step in a way that a reader can follow. (Think IKEA assembly instructions—only with words … and humanly possible.)

*Why write a process essay?

Since ’tis the season, you might include a process essay as part of gift! For example, you could write out your mulled cider recipe and package it with the ingredients needed to brew up a pot. Or you might wrap up a few dreidels, with instructions about how to play the classic Hanukkah game. Or, if you’re a killer door-wreath creator, along with the wreath you give, share the details of how you fancy up those bauble-laden bad boys!

If you blog or teach or coach, you might want to use this opportunity to create written instructions for something your students or readers would benefit from, then use those instructions in a blog post or lesson. (Handouts, anyone?)

And if you write fiction, writing a process essay can take you deep into your main character’s area of expertise. Our fictional folks have entire lives gliding beneath the surface of the stories we tell about them. Knowing your stuff about what they do and how they do it will add depth and authority to your literary worlds!

Finally, if you really, really, REALLY like doing this exercise, you might have a calling as a technical writer.

Writing inspiration

Want some step-by-step directions to writing your step-by-step process essay? Check out this article on the BEST ESSAY TIPS website.

Travel essays often include aspects of process writing. For instance, the writer might explain how to get to a location, how to stay safe once you’re there, how to find the best bargains, or how to discover the most exotic meals. Check out the 2019 edition of the annual THE BEST AMERICAN TRAVEL WRITING, edited by Jason Wilson and Alexandra Fuller for examples.

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Why Do We Write? A New Year’s Exploration!

ON THE LAST NIGHT OF EVERY WORKSHOP, I used to end with an exercise by Natalie Goldberg.* It’s pretty simple. List a dozen reasons that you write. They can be Work with mecommon-sensical: I write to communicate, or farther-fetched: I write because the fairies want to speak to me, and when I scribble fast enough, they take over my pen and let me know what they have to say.

Fortunately, there are an infinite number of points along the continuum between common sense and, um, fairies! For instance, here’s my (current) list:

  • I write because my father wished he were a writer, so I do it for him.
  • I write because it gives me something to do with my hands, and I’m no good at needle crafts.
  • I write because when I settle down on the couch with a pen and notebook, all three cats come and sit near me.
  • I write because sometimes a pleasing turn of phrase or odd story emerges unexpectedly from my pen.
  • I write because all of my friends are writers.
  • I write because I love the visual pattern my handwriting makes across the page.
  • I write because I have about seventeen gazillion books on writing—and they’re all inspiring!
  • I write because it’s fun to do in a café (and might even make me look interesting).
  • I write because I have a blog and a book to finish.
  • I write because I have things to say about writing and about tarot.
  • I write because it’s expected of me.
  • I write because nothing feels quite as good as having written!

Writing prompt

It’s the end of the year, a good time to take stock. Make yourself a cup of nog or indulge in a sweet, flavored coffee (’tis the season, after all) and dig in to this question: Why do I write? As with any free-writing exercise, move your hand (or fingers) as fast as you can. Don’t stop to think. Get as far beneath the common-sensical as you’re able. Who knows? If you dive deep enough, you might find a few fairies to chat with!

TABLE FOR TWO?
As years of workshops attest, this is a wonderful prompt to do with others. So instead of going it alone, grab a café table and a friend, set a timer, and see who can get the most items scrawled on their list in ten minutes. (Although I asked workshoppers to find twelve reasons they write, going further, to fifty or even a hundred reasons, can really loosen up your brain and get it to bring wilder, more exciting ideas to the fore!)

WRITING RESOLUTION
Once you’ve got your “why’s” for writing, you might use one or more items on your list to guide you as you form your New Year’s writing resolution. Knowing why we write can create a foundation that supports our writing throughout the year—long after we’ve torn off January’s calendar page.

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*You’ll find Goldberg’s Why I Write exercise and its accompanying essay in her first book on writing, WRITING DOWN THE BONES.

Writing a Memoir? Read Memoirs!

IF YOU’RE WRITING A MEMOIR, reading others’ memoirs can help you in a number of ways. For instance, you might find that the structure of an author’s story is applicable to the part of your life that you’re recounting.

Story structure

WILD, by Cheryl Strayed, is a great example. While the main thread of WILD takes place in the story’s present, during which Strayed is hiking 1100 miles of the Pacific Crest Trail, the reader first meets Strayed at the low point of the story, about halfway through her hike. We’re then taken into a significant stretch of backstory, before being returned to her first steps on the trail. From there, Strayed dovetails backstory with tales of the trail, all the way to book’s end.

Tone and voice

Or, if you’re seeking the right voice for your story, you might consider the difference between the cool, journalistic tone of Jeanette Walls’s THE GLASS CASTLE and the sharp-tongued young persona of Mary Karr’s first memoir, THE LIARS’ CLUB.

Recently published

While all of these are wonderful works to learn from, if you’re aiming for a traditional publishing deal for your memoir, reading work that’s been published more recently (within the last five years) will give you a sense of what’s in fashion, memoir-wise. Taking your cue from what’s currently being sold, you might freshen up your own approach to improve your chances of capturing an agent’s interest.

Apply liberally to all genres: young adult, women’s fiction, self-help, sci-fi, fantasy!

These ideas are applicable to all genres. For instance, a few years ago a rumor was circulating through my writing world: A writer, deciding she wanted to write middle grade (MG) fiction for a living, started her new enterprise by reading two hundred recently published examples of MG.

As I heard it, after finishing that research, she wrote her story, taking into consideration all she’d learned from what she’d read—and got a two-book deal with a big-time publisher!

Now, I never confirmed the details of this story, so I can’t send you hieing off to read this woman’s no-doubt fabulous blog about her diligent investigation into what gets agents and editors to pull the trigger. But I can tell you this: From what I know about the wild and woolly world of publishing, this (mythical?) writer’s approach seems likely to get any would-be traditionally published writer out ahead of the pack.

Thanks to U.S. Games Systems, Inc., for kind permission to use the image of The Chariot from the DREAMING WAY TAROT. http://www.aeclectic.net/tarot/cards/dreaming-way/

Walk Like a Writer

ARGH!! I’M STUCK! I’ve written myself into a corner and can’t find my way out. While I stare at the screen, hoping the right words will magically appear, I feel an inner nudge. It’s my smarter self trying to get my attention. She’s thinks I should power down my computer, put on my sneakers, and take a walk. And she’s right. Whenever I’ve taken a writing issue out for a thirty-minute hike around my neighborhood, that issue has magically been resolved. Every time.

And it’s not just me. In Brenda Ueland‘s classic book, IF YOU WANT TO WRITE, she says, I will tell you what I have learned myself. For me, a long five- or six-mile walk helps. And one must go alone and every day. I have done this for many years. It is at these times I seem to get re-charged.

A few years ago, THE NEW YORKER published an article called “Why Walking Helps Us Think. In it, writer Ferris Jabr asks, What is it about walking, in particular, that makes it so amenable to thinking and writing? The answer he discovered has to do with how walking affects our bodies—including our brains, which balance atop the narrow column of our necks and benefit from the increase in oxygen a good walk delivers.

So, yes, like all exercise, walking gets our energy moving. But different than a yoga class or gym visit, a good walk also provides a stream of images to fill our creative well. When we walk, we see things: people, trees, big yellow steam shovels shifting mounds of earth. All these visual elements “fill the well,” providing us with increased creative fuel, which is why Julia Cameron recommends a weekly walk in her Artist’s Way books.

Walking and writing are both independent acts. Both are self-fueled. They stroll happily hand in hand. Today, walk like a writer. Head out onto the nearest path with a literary dilemma in mind. Walk until it’s resolved—then marvel at the elegant solution you and your feet have found.

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The illustration for this post, “Walk,” is by chilangoco, and is licensed under CC BY-SA 2.0.

Writing Comes from Writing (Thanks, Bruce!)

POET AND CREATIVE WRITING PROFESSOR BRUCE AUFHAMMER introduced me to this basic operating principle: Writing comes from writing, not from inspiration. Now a teacher myself, I sometimes hear people say they aren’t writing because they’re uninspired. But inspiration is a fickle mistress! For just one month, rather than awaiting any version of the muse, try this daily, no-inspiration-required exercise and see for yourself whether the quiet act of writing isn’t a more steadfast friend.

Writing prompt

Get yourself a diary, maybe a kid’s locking diary or a small spiral bound memo book. Starting this evening—and for the next month—take a few minutes each night to jot down something from your day. Even if you only list what you ate for lunch!

Novelist Heidi Julavits did just this. Using the phrase “Today, I …” to get started, every evening she jotted down as many associations as arose in the time she allotted for writing. The (fascinating!) book she made of these diary entries—THE FOLDED CLOCK—was published in 2014.

A diary—less demanding, perhaps, than a “journal”—offers a low-stress way to nurture your daily writing habit. And that writing habit, once established, makes a resilient diving board from which to spring into your next writing project. Also, as in Heidi J.’s case, when you look back over your diary, you may find something you’ve written there suggests a direction for you to develop.

We’re aglow with possibilities when we start something new—but we may be a little shy of setting our hopes too high. For your first entry, use your diary to whisper in your own ear. Tell yourself on its pages what you hope to accomplish or uncover over the next thirty days.

EXTRA CREDIT: This week, use your diary as a Fitbit. At the end of each day, make a note of every bit of writing you did that day. I bet you’ll be surprised at how it all adds up!

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Thanks to Thought Catalogue for permission to use the diary image above.

It’s About Time

THE FIGURE IN RED is doling out alms, and he’s doing it judiciously, measuring out equal amounts to each of the recipients. He’s also holding enough aside for his own needs. His scales help him keep his giving in balance.

As writers, we could do with a pair of scales. Not for measuring the cash we’re handing out, but for noticing how much of our precious time we dedicate to others and how much we conserve for our own use.

You see, writing takes time—and not just time that’s packed in around the corners of other obligations. Writing requires time that’s set aside as preciously as if the hours were so many gold coins.

Today, the Six of Pentacles, asks you to take charge of your time. It suggests you weigh out your minutes, hours, and days and allocate them consciously. Give generously, of course. But at the end of the day, make sure you haven’t broken the bank and left your writing to go begging at someone else’s feet.

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Thanks to U.S. Games Systems, Inc., for kind permission to use the image of the Six of Pentacles from the RIDER-WAITE TAROT.

Telling the Truth: A Memoir Writing Prompt (with Tarot)

THE QUEEN OF SWORDS IS A STRAIGHT-UP TRUTH TELLER. And she’s not worried about offending people, either. But, while this may very well make her the patron saint of memoir writers, she knows it’s not necessarily easy—nor safe—to follow her lead. Memoirists may be wary of putting their truth on the page. They may be concerned others will judge them. Or, they may feel guilt about revealing the harmful (or deceitful, immoral, or criminal) behaviors of someone close to them. They may even fear retribution from such a person.   

Writing the truth can be a serious—and, sometimes, risky—business. That’s why the Queen of Swords recommended I include this in my Terms and Conditions: Writing is deep work that comes with its own risks and discoveries. While I will endeavor to support you in your writing, I am neither a therapist nor an attorney. However, as you continue on your writing path, you may find the services of one or both offer you valuable guidance.

So, yeah. Serious business.

If you find yourself stymied when wanting to tell your story while avoiding upsetting someone else, the Queen of Swords may be able to help you slice through. Hers is the sword of discrimination. It separates the hard, nutritious kernels of truth from the chaff of words written to please others. And she brooks no nonsense from family, friends, or coworkers when she’s doing her honorable work.

At least, not in her first draft.

You see, we travel a long road between our first, exploratory draft—in which we record as much of the truth as we can remember and feel and understand—and our final draft, polished and ready to send out for publication. And there are many rest stops in the miles between those drafts. Those rest stops are perfect places for us to pause and consider whether to hit delete on passages that feel too hot, too pointed, too dangerous, or to keep them intact—until our next revision, at any rate.

Tarot writing prompt

With the clear-eyed Queen of Swords as an uncompromising example, try this: Pull out a memory that stings. Perhaps it’s of a secret you were told to keep. Or maybe it’s a memory of a trusted person hurting you or someone else. Or of something you did, something about which you carry shame. Or fear. Or both.

Whatever you’re ready to uncover, write about it as fully as you can—just for yourself, for the moment. You might need to do this in increments. Start with ten minutes. Then return for another ten-minute session … and another and another, until you have all the parts of the story and the accompanying feelings on the page.

Take as long as you need. Days. Weeks. Months. Years.

While you’re in the process, you might want to hide your notebook or camouflage the file you’re creating. Do so, if it will make you feel safer. And when you review what you’ve written, if it’s too much, too hot, you might decide to delete or shred the story in its entirety. You might also, as suggested above, consult with a therapist or counselor as you journey along this path. Do whatever you need to make you feel safer, protected, supported.

With these caveats in mind, then, if you have a wound in your writer’s heart, consider lancing it with the sword of truth. It’s your life. Write it down.

I’ll go first, okay?

This is a story I’ve feared sharing, both because I might be judged harshly for my behavior and because in it I point at my father’s difficult behaviors. It’s a double-memoir-whammy-bind!

What happened is this: A long-lost relative contacted my family (damn you, Ancestory.com!). This relative had a particular interest in meeting my father. But they were my long-lost relative, too. And I got there first. Then, I opened my mouth and toads and snakes fell out as I described my early life with my father, who, good points/bad points, could be violent, and unpredictably so.

Soon after, my father died. Without this person ever contacting him.

For the next several years, I ran a losing race with guilt. But one night, as I was circling the track yet again, a friend sliced to the heart of the matter. “Did you tell that long-lost relative the truth about your father?” she asked. “Your own truth? As honestly as you could”

Well, yes. I did.

“Then,” my friend said, “it is what it is. People make their own choices.”

She’s right. My father chose to act the way he did. I chose to disclose. The relative chose not to connect.

It is what it is.

So, while this story isn’t actually about writing down the truth (although, I have now written it down), it is about the risks we take when we decide to share our truth, and about the possible consequences of doing so.

The fear of such potential consequences keeps many would-be memoirists from writing their stories in the first place. Embarking on a memoir can raise a lot of questions, like: Whom will this hurt? How will I be perceived? Will I ruin relationships—either my own or those of the people about whom I write? Even if I’m telling the truth?

When I speak with a writer who faces questions like these, I never suggest they cast aside these considerations and just publish their raw truth—consequences and concerns and family be damned. But, first draft? The one only you will read? There, you can look your truth square in the eye and let the vorpal blade [go] snicker-snack.” Then, in a cooler light, see whether or how or if it serves you to release that truth into the world.

Memoir-writing resources

Mary Karr is a brilliantly honest memoirist (and poet). You might find her THE ART OF MEMOIR a helpful read.

The post “How True and Factual Does Your Memoir Have to Be? 5 Principleson Jane Friedman’s blog offers up some memoiristic nuts and bolts for your consideration. It is written by Brenda Peterson and Sarah Jane Freymann, who co-authored YOUR LIFE IS A BOOK.

The National Association of Memoir Writers considers “Challenges and Truth in Memoir” in the linked article.

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Thanks to U.S. Games Systems, Inc., for kind permission to use the image of the Queen of Swords from the RIDER WAITE (SMITH) TAROT.

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