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A Freelance Editor’s 5 Tips to Getting the Most from Your FREE Sample Edit!

March 9, 2020

TOM WALLACE IS A SAVVY EDITOR and an extraordinary ghost writer. I asked him if he’d be willing to share a useful nugget from his wide experience in the world of professional writing—and he delivered the goods!

The Sample Edit

Tom Wallace

Shopping for a freelance editor can be a nail-biter. You know you need one, but they have to be the right one. You want an editor who not only knows the principles of editing backward and forward but has the sensitivity and perception to edit your voice, to get what you’re saying. One of the most important tools to use in this epic search is the sample edit.

There are two kinds of sample edit. The first is the paid sample, usually of a good chunk of your writing—say, your opening two chapters or initial twenty pages. This is, frankly, not a popular choice, because, if you’re getting four paid samples, this search could get a bit costly.

The second type is free, so that’s what we’ll focus on in this post. Most freelance editors will be happy to do a free sample edit. They’ll jump at the opportunity to prove they’ve got the chops you’re looking for.

5 Tips to Getting the Most from a Sample Edit

Tip #1: A free sample will be about five pages. Get a sample of this length from three or four editors, so you have enough comparison material to make an informed choice between them. Have all your prospective editors work on exactly the same material—which should be the first five pages of your book. (Indeed, the three most important parts of your book are the first sentence, the first paragraph, and the first page. What’s in the beginning constitutes your best hope—quite likely your only hope—of hooking a reader.)

Tip #2: This sample should be done in Microsoft Word with the Track Changes function turned on, allowing you to see every revision and margin comment made by each editor.

Tip #3: Editors might deal with any number of issues: wordiness, spelling, punctuation, character development, pace, etc. So comparing these few sample edits can be very enlightening.

Look for things in the text like deletions of repeated words or ideas, the rearrangement of sentences and re-punctuation of dialogue, and the solving of grammatical problems like dangling modifiers. If two or three editors agree about the majority of these issues and one does not—well, then it’s time to remember what you learned on SESAME STREET: one of these editors is not like the others.

Also, if editors are revising for style, which does the best job of polishing your work without obliterating your voice. Are they really adding value, or are they just changing things to change them?

Tip #4: Look at the margin comments. These may contain information about why something was changed, suggestions to you about what you might add, or questions meant to clarify your meaning or clarify an idea in the editor’s head that will help her do good work on your material, should you decide to work with her.

Tip #5: Finally, if you don’t understand a choice an editor has made, don’t be afraid to ask questions. Remember that each editor is essentially auditioning for a part in the play that is your writing life. If they grumble at the idea of answering questions—or communicating with you in anyway—they shouldn’t be in your play.

Sample edits rock. They’re one of the best tools you have in your search for a talented editor.

Thanks so much to Tom for sharing the ins and outs of getting a sample edit. Want to learn more about working with a freelance editor? Contact Tom Wallace!

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Need help with your book? I’m available for book coaching and manuscript review!
Want to know more about hiring a writing coach? Click to read Should I Hire a Writing Coach in THE WRITER magazine.

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Top Writing Coach Tip #1: Get the Writing Conference Delivered to YOU!

February 24, 2020

QUICK! WHAT DOES A WRITING CONFERENCE OFFER?

Big name authors discussing their genres and journeys.
Experts teaching literary craft.
Agents and editors sharing insider FAQs about the publishing industry.

Also, ballrooms filled with fellow writers, a chance to pitch your book or have your first pages critiqued, a bookstore to sell your latest work, networking opportunities galore … and, of course, too much mediocre hotel food.

All at a fairly steep cost, right? Even a local-to-you writing conference is likely to set you back $500. Add travel and lodging for an away-from-home weekend, and you’re looking at twice that, or more.

But if you believe the golden information gleaned from authors and industry experts forms the heart of a writing conference, I’ve got great news! You can get that delivered right to your door—every month, at the tiniest fraction of the cost!

All you need is a subscription to a top-notch writing magazine. Here are four excellent magazines for your consideration:

In each issue, these magazines provide a plethora of topics you’d expect to see presented at a writing conference—like agent spotlights, new-author features, craft articles, and industry guidelines. And these pieces are written by the same experts you’d expect to see on a discussion panel or speaking from a conference platform!

For instance, articles in the most recent issue of WRITER’S DIGEST (just arrived in my mailbox last week) include,

The Art of Breaking Character: when, why, and how to have your characters act, um, uncharacteristically.
Steering the Ship: twelve tips for researching a nonfiction project.
The Frugal Writer’s Guide to Everything: ways to save big money on literary expenses. (Hey! This blog post is right in line with my pal Elizabeth Sims’s article!)
The Power and Peril of Prologue: when, how, and why to use a prologue—and what risks you run with agents and editors by doing so. (This in-depth, super-helpful article is by another pal, Ryan Van Cleave!)
The WD Interview: with Pulitzer Prize-winning author of LESS, Andrew Sean Greer. (No, Andrew’s not a pal—but I did love LESS!)

And that’s only half the full-length articles this month. There are also ten columns, the Writer’s Workbook feature, and Inkwell, with its writers’ guide to editors.

It will take me most of the month to digest (ha!) every morsel of this month’s WRITER’S DIGEST—chewing on its contents in bite-sized pieces that are easier to process (for me, anyway) than the weekend binge of a writing conference.

Top Writing Coach Tip

Here’s what I suggest:

1) Subscribe to a great literary magazine. 2) Read all the articles in each issue (you never know what information will come in handy!). 3) Earmark pieces that are relevant to your current project(s). 4) Discuss what you learn with writer friends (over coffee, and you’ve got the makings of a mini-conference!). 5) Feel reassured you’re keeping your writer self current on what’s going on in the writing world.

Of course, attending writing conferences is great, too! There’s lots of interactive magic afoot in those ballrooms. Just don’t get your hopes up about the food.

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A Not-Too-Sweet Love-Letter Writing Prompt

February 17, 2020

BACK IN THE DAY, Shakespeare, sick of the sticky-sweet love sonnets of his time—the kind that compared women’s eyes to placid lakes and their tresses to molten gold—penned a send up, “Sonnet 130.” In it, the Bard refutes any likeness his lover might have to the beauties of nature. Instead, mocking his sonnet-making contemporaries, Shakespeare harshly negates his love’s charms. And yet … and yet …

My mistress’ eyes are nothing like the sun (Sonnet 130)

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.

—William Shakespeare

Writing prompts

1) Now, that you’ve read (and enjoyed?) “Sonnet 130,” try modeling it! Is there someone (or something) you love in an unconventional way? Or whom you see as unconventional? How does your love stray from the ordinary way of things?

Even trickier, can you do the opposite of damning with faint praise by, as Shakespeare does, praising with a two-edged sword of truth?

2) Alternatively, write a love letter (or a poem or a personal essay or a scene for a novel or a short story) in which you or a character declares love for someone—at length and in detail—without using the word “love” or any of its synonyms!

(Bonus points for creating a sonnet! You’ll find descriptions of various sonnet forms and some instructions to help you get a sense of how they’re constructed on the LITERARY DEVICES website.)

Writing inspiration

Want some musical inspiration? Here’s a link to Sting’s song “Sister Moon,” which appears on his album NOTHING LIKE THE SUN.

Need help with your book? I’m available for book coaching and manuscript review!

If the Queen of Wands Were Your Writing Coach: Some Tarot-Headed Writing Advice

February 3, 2020

IF TAROT’S QUEEN OF WANDS WERE YOUR WRITING COACH, she would be your enthusiastic champion, your star-spangled cheerleader! She’d laud your literary talent and encourage you to hold to your creative vision, even when others question it. You see, she believes your pen is your magic wand—that it brings to life the imaginative worlds that live inside you.

An independent sort herself, the Queen of Wands would advocate for your independence. She’s not a joiner, so she wouldn’t necessarily suggest you find yourself a critique group. But she’s a hard worker and would expect you to be one, too. In her no-nonsense style, she’d tell you dig in—and maybe hand you a bullet-point list like this one to show you exactly what she means:

Read widely in your genre—especially books that have been published in the last three years.

Subscribe to writing magazines like THE WRITER and WRITER’S DIGEST that have their finger on the pulse of publishing.

Check out blogs and YouTube videos that feature literary agents weighing in on what makes a book attractive to them and what doesn’t.

Read books on the writer’s craft: STORY by Robert McKee and THE WRITER’S JOURNEY by Christopher Vogler, for instance.

Take classes—online (Gotham Writers has a good reputation) or at your local community college, no matter. Just open your heart to how others approach the craft. Then, take what you like and leave the rest.

Create a writing schedule—and stick to it.

Finish a draft, then get a good reader to review it (you might hire a pro, ask the smartiest smarty pants in your book group to take a look, or trade for pet-sitting with a neighbor who talks regularly and intelligently about the books she reads).

And after you’ve done all that, the Queen would give you a high five, pat you on the back, and tell you, in her heartiest voice, to go back now and revise, revise, revise.

Writing inspiration

For some fired-up examples of literary Queens of Wands who dig in, check out Anne Lamott’s BIRD BY BIRD: Some Instructions on Writing and Life and Amy Tan’s “Angst and the Second Book,” from her essay collection THE OPPOSITE OF FATE (which I quoted in a post on surviving the writer’s winter).

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Thank you to U.S. Games Systems, Inc. for kind permission to use the image of the Queen of Wands from the PHANTASMAGORIC THEATER TAROT.

Need help with your book? I’m available for book coaching and manuscript review!

20 (or so) Novels That Have Impacted Our Lives and Imaginations

January 20, 2020

ON OUR WEEKLY WALK AND BOOK CHAT, Jill and I started listing novels that have had a long-lasting impact on us. As we built our personal canon, we were not necessarily reflecting on the same considerations that Karen Swallow Prior, author of ON READING WELL: Finding the Good Life through Great Books, explores in her essay “How reading Makes Us More Human,” in THE ATLANTIC. But we were close!

Here’s our list (and below that, if you’re a list-aholic—or just looking for more reading recommendations—you’ll find links to three more lists to help satisfy your reading itch).

Reading (and writing) inspiration

(Okay. There are more than 20 books on this list. Mostly, because while Jill and I agreed on many authors, we almost always chose a different book from their oeuvre. But also because there are just so many books … and we got excited.)

And now, in no particular order …

THE BURIED GIANT, NEVER LET ME GO, Kazuo Ishiguro

AS I LAY DYING, William Faulkner

THE GREAT GATSBY, F. Scott Fitzgerald

MARIANNE DREAMS, Catherine Storr

THE HEART IS A LONELY HUNTER, Carson McCullers

WOLF HALL, Hilary Mantel

ATONEMENT, Ian McEwan

THE SECRET GARDEN, A LITTLE PRINCESS, Frances Hodgson Burnett

LOOK HOMEWARD ANGEL, THOMAS WOLFE

THE HOBBIT, THE LORD OF THE RINGS, J. R. R. Tolkien

STRONG POISON, HAVE HIS CARCASE, GAUDY NIGHT, BUSMAN’S HOLIDAY, Dorothy L. Sayers

HER FEARFUL SYMMETRY, Audrey Neffenegger

PRIDE AND PREJUDICE, PERSUASION, Jane Austen

TURN OF THE SCREW, Henry James

STAR WARS (yes, the novel),GEORGE LUCAS

LITTLE WOMEN, Louisa May Alcott

THE BONE CLOCKS, David Mitchell

JONATHAN STRANGE & MR NORRELL, Suzanna Clarke

HUCKLEBERRY FINN, Mark Twain

A HUNDRED YEARS OF SOLITUDE, Gabriel García Márquez

THEIR EYES WERE WATCHING GOD, Zora Neale Hurston

IF ON A WINTER’S NIGHT A TRAVELER, INVISIBLE CITIES, and anything else, says Jill, by Italo Calvino

HARRIET THE SPY, Louise Fitzhugh

More literary resources

The 50 Most Influential Books of All Time, listed on the Open Education Database (OED)

25 Books That Will Change Your Life, by Yasmeen Piper, on Book Riot

13 Women Reveal the Book That Had the Biggest Impact on Their Lives, by Charlotte Ahlin, on BUSTLE

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The photo illustrating this post is by Pouya sh, who generously made it available under the Creative CommonsAttribution-Share Alike 3.0 Unported license.

Quick-Start/Fast-Finish Writing Prompt! For Writers with Little Time

January 13, 2020

THIS IS A QUICK WRITING PROMPT, great for when you want to stretch your creativity but don’t have much time to play!

Writing prompt

First, pick a short form to write in today. Poem? Flash fiction? Short story? Snapshot memoir? Profile? Exposé?

Next, pick the first line of a published novel, poem, essay, or even a particularly enticing recipe!

For instance:

It was the best of times, it was the worst of times …
- A TALE OF TWO CITIES, by Charles Dickens, or
Last night watching the Pleiades …
- “An Autumn Morning in Shokoku-ji,” by Gary Snyder, or
Soak the pearl barley enough to cover …
- Pearl barley and Asian mushroom pilaf recipe, from VEGGIE FOOD, edited by Kay Scarlett

Then, pick the last line of a different published novel, poem, essay, recipe or _____ (fill in the blank), that’s not necessarily in the same genre as the first line.

For instance:

… and wake up to ourselves, nourished and surprised.
- “For the Sleepwalkers,” by Edward Hirsch
… Don’t let anything take it away.
- “Wanting It Bad,” by Natalie Goldberg, in WILD MIND: Living the Writer’s Life
… So I ask you, now what?
- ON BEING HUMAN: A Memoir of Waking Up, Living Real, and Listening Hard, by Jennifer Pastiloff

Finally, using the published (or found) first line as your first line, and the published (or found) last line as your last line, write your way from first line to last line, taking as many lines as you need to incorporate the ending in a way that makes (some) meaning of the journey from first to last.

Writing inspiration

Need more examples? Writer’s Digest has a list of Best Opening Poetry Lines just for you!

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That photo of someone stretching a rubber band like you stretching your creativity is from Science Generation.

Banana Moons & Meerkats & Tigers, Oh, My! Writing Snapshot Memoir

December 30, 2019

ON THE LONGEST NIGHT OF THE YEAR, my mom and I strolled softly lit paths through the wooded grounds of the Central Florida Zoo during the Asian Lantern Festival. As we wandered, we encountered illuminated lanterns shaped like crescent moons and meerkats and life-sized hippotamuses—and, yes, tigers. Oh, my!

Now that she’s 85, I treasure sharing quiet adventures like this with my mom. So I took pictures—lots of them. Of the tigers and cheetahs and dragon lanterns, yes. But also of my mom. Because these are moments I’ll want to remember, and the pictures will help me do so. But I know I can drop even deeper into those moments by writing about the photos that capture them.

In a blog post titled Why Do We Write? A New Year’s Exploration, I quick-list a dozen reasons I write (and in the post, I invite you to explore your reasons for writing, too!). While I somehow forgot to include “preserving memories” on that list, doing so is one of the wonderful gifts writing gives to us.

I’m not alone in thinking this. Natalie Goldberg says writers live twice: first in their immediate experiences and second in writing about them. Of course, if we have photos of our experiences, we have the opportunity to home in on details we might have forgotten otherwise. And vice versa: When we write from photographs of our lives, we tend to discover what’s hidden beneath a photo’s surface.

Snapshot memoirs

There’s even a sub-genre dedicated to writing from our pictured memories, the snapshot memoir (also known as flash memoir). In this form, we may be writing from actual images—on our phones or in our photo albums—or from indelible snapshots in our mind’s eye. Either way, though flash memoir is different from flash fiction—because we focus on our own lives rather than on the created lives of imagined others—many of the rules of flash fiction apply to this super-short memoir form, too.

Readers Write: THE SUN MAGAZINE

THE SUN MAGAZINE has a wonderful feature called Readers Write, in which SUN readers are invited to write and submit their own snapshot-sized pieces about real-life moments. On THE SUN’s site, you’ll find examples of published Readers Write pieces as well as the prompts and guidelines governing their submission process.

Mini-memoir writing prompt

Setting aside just ten minutes with pen in hand and a photo in front of you, travel back to the moment the snapshot has captured in its frame. Allow yourself to enter the picture. Look around carefully. Now, peek outside the frame to your memory of the wider context. What’s going on to the left of the image? To the right? Who’s taking the photo? Why?

You might take a deep breath and dive into the emotions the image evokes—both the sweet feelings and the bittersweet. Or maybe the photo calls to mind associated memories that add to the meaning and magic of that particular instant in time.

However deep you’re ready to delve, imagine the photo as a treasure map. It’s full of possibilities for sure! But to access the gold it promises, we need to follow the path the map reveals. When we write about the image before us, sentence by sentence, we step steadily toward riches the photo can only hint at. Because the real treasure lives inside us. And our pen creates the road that will take us there.

Give YOURSELF These 12 Gifts for the New Year, Writer!

December 23, 2019

DAYS SPEED BY, BUT WRITING GOES SLOW. It’s in its nature. We pre-write, draft, redraft, review, revise, edit, and proofread—just to get 500 decent words where we want them. Instead of railing against the constraints time puts on our writing process, we can choose to drop below time’s dictates and give ourselves an opportunity to move at the pace of writing, rather than demanding our writing perform at the hectic pace of life.

To that end, here are twelve gifts to give to your writerly self this coming year. You might want to unwrap one a month between now and next December. May each of these exercises nourish your writing needs and give your creative self a chance to breathe.

1. Visit a used bookstore. Browse dusty shelves for treasure. Settle on the floor in the picture book aisle and allow your inner kid to journey through the illustrated worlds you find there.

2. Journal. Curl up on the couch one Sunday morning and write with no agenda, no goal. Take this time to discover what you think, what you feel, what you mourn, what you hope for … all by writing it down.

3. Discover a new-to-you author. Ask writing pals to recommend writers they think you’d enjoy. Check out the new releases section of your local library. Or read THE NEW YORK TIMES Book Review, join a book group, or sign up for Goodreads. Let other writers share their gift with you this year.

4. Start a manageable new writing project. Perhaps you’ve always wanted to create a kids’ book about a favorite toy. Or compile your grandmother’s recipes, updated to make the most of today’s kitchen gadgetry. Or collect photographs of your cats, caption the images, and produce a few copies just for you and your cat-crazy friends (or is that just me?). A new project can add fuel to your writing life. Just make sure it’s the right size to bring to completion this year. Because writing “The End” on a draft is a sweet reward for a (small) job well done.

5. Make a date with a writing pal. A cup of coffee, a croissant, and congenial company create the perfect ambiance for a few quick, free-writing sessions. (I’ve got about a zillion writing prompts on my blog that you’re welcome to use for this purpose! Just search “prompts.”)

6. Take a walk. While you’re strolling, keep an eye out for interesting sights and occurrences. Maybe snap a few pictures along the way. When you get home, take just ten minutes to write about what you saw.

7. Record your dreams. Keep a notebook by your bed and jot details from your dreams a few mornings in a row. This lets your unconscious know you’re listening, making it more likely that it will offer up the fresh goods next time you need access to its wild, imaginative leaps.

8. Nap. Or, if you’re not a napper, steal an hour out of an otherwise busy day for horizontal couch time. Flick through a magazine (check out THE SUN MAGAZINE!), or read a short story or personal essay. Snuggling with an available cat, optional.

9. Take a writing retreat. Depending upon your resources, this might be a month-long writing residency on Martha’s Vineyard, four days at the Rocky Mountain Fiction Writers retreat, or a weekend holed up in your own cozy den with no interruptions and no other plans but to read and write.

10. Follow your nose. You know how sometimes you’re online looking for one thing and something else catches your eye? And reading about that next thing, you see something even more intriguing? Great! Indulge that! Follow your nose from interest to interest, filling the thirsty well of your mind with tidbits that may come in handy in some future writing project—or may not. Even if you never use any of that cool stuff, I bet your writing self considers the time well spent. (Brain Pickings is a great place to start your nose-following quest!)

11. Earmark November. Each November, writers around the world take on the NaNoWriMo challenge. Short for “National Novel Writing Month,” NaNoWriMo provides support to get bigger projects done. While the NaNo official goal is 50,000 words on the first draft of a new novel, you might piggyback on NaNoWriMo’s energetic community to complete a more modest project—a short story, for instance, or one of those manageable projects you started back at number 4!

12. Throw your writer self a party. Pull out all the writing you’ve created this year and celebrate the sheer number of words you got on the page. Raise a glass, bake a cake, fling confetti. You’ve done good. Congratulations!

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Marina Shemesh has released this “Balanced Stones On White Background” image under Public Domain license CC0 Public Domain. I appreciate the opportunity to use it here.

Why Do We Write? A New Year’s Exploration!

December 2, 2019

ON THE LAST NIGHT OF EVERY WORKSHOP, I used to end with an exercise by Natalie Goldberg.* It’s pretty simple. List a dozen reasons that you write. They can be common-sensical: I write to communicate, or farther-fetched: I write because the fairies want to speak to me, and when I scribble fast enough, they take over my pen and let me know what they have to say.

Fortunately, there are an infinite number of points along the continuum between common sense and, um, fairies! For instance, here’s my (current) list:

I write because my father wished he were a writer, so I do it for him.
I write because it gives me something to do with my hands, and I’m no good at needle crafts.
I write because when I settle down on the couch with a pen and notebook, all three cats come and sit near me.
I write because sometimes a pleasing turn of phrase or odd story emerges unexpectedly from my pen.
I write because all of my friends are writers.
I write because I love the visual pattern my handwriting makes across the page.
I write because I have about seventeen gazillion books on writing—and they’re all inspiring!
I write because it’s fun to do in a café (and might even make me look interesting).
I write because I have a blog and a book to finish.
I write because I have things to say about writing and about tarot.
I write because it’s expected of me.
I write because nothing feels quite as good as having written!

Writing prompt

It’s the end of the year, a good time to take stock. Make yourself a cup of nog or indulge in a sweet, flavored coffee (’tis the season, after all) and dig in to this question: Why do I write? As with any free-writing exercise, move your hand (or fingers) as fast as you can. Don’t stop to think. Get as far beneath the common-sensical as you’re able. Who knows? If you dive deep enough, you might find a few fairies to chat with!

TABLE FOR TWO?
As years of workshops attest, this is a wonderful prompt to do with others. So instead of going it alone, grab a café table and a friend, set a timer, and see who can get the most items scrawled on their list in ten minutes. (Although I asked workshoppers to find twelve reasons they write, going further, to fifty or even a hundred reasons, can really loosen up your brain and get it to bring wilder, more exciting ideas to the fore!)

WRITING RESOLUTION
Once you’ve got your “why’s” for writing, you might use one or more items on your list to guide you as you form your New Year’s writing resolution. Knowing why we write can create a foundation that supports our writing throughout the year—long after we’ve torn off January’s calendar page.

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*You’ll find Goldberg’s Why I Write exercise and its accompanying essay in her first book on writing, WRITING DOWN THE BONES.

A Long Way Down (Tarot Writing Prompt)

October 28, 2019

THE CHARIOTEER, WITH HIS FOOTBALL-PLAYER SHOULDERS, is determined. He has all his ducks (and sphinxes) in a row. He’s laurel-wreathed and star-crowned. He’s got promise, dude! Get such a character in your sights—maybe modeling them on someone you know (or someone you used to be?)—and write about an early success they’ve had.

For instance,

She led her high school debate team to their winning-est season ever, then earned a full scholarship to UCLA, graduating summa cum laude in political science.
Or, he was an Olympic equestrian hopeful, riding six-figure horses at the age of fifteen.

Next, fast forward ten years and look them up—only to find they’ve fallen deep into a well of circumstances that really surprise you, given their early promise.

For instance,

She stays home with five young kids, now, and is supporting her husband’s bid for county commissioner.
Or he, horses a thing of the past, has become a beast of burden himself, humping forty-pound bags of feed and bales of hay at the local feed store.

What happened? Did she trip over her own hubris, too confidently taking on a project she couldn’t complete? Or did his attempt to besmirch a competitor’s reputation and steal their ride backfire? Are they in a slump from which they can’t seem to emerge? (Cue movie montage of a collapsed main character, unable to get out of bed, litter box stinking, produce that used to be whirled into fabulous energy smoothies moldering in their refrigerator’s produce drawer.)

Tarot writing prompt

However they got here, your character is drowning at the bottom of life’s pickle barrel. How can you help them? What kind of stakes can you create that will light a fire under your once-optimistic little charioteer and get them to rejoin the race?

Do you bring her face to face with an instance of social injustice that directly threatens her family—hoping she’ll get busy writing letters to the editor, canvassing her neighborhood, and speaking passionately at meetings of her local government?
Or, do you place a once magnificent, now-neglected horse in a field he passes on his way to work—hoping he’ll rescue it and bring both it and himself back to the glory of their earlier days?

Whatever their predicament, look into your character’s past and find the makings of a virtual cattle-prod of a motivation to jolt them back into the saddle again!

Writing inspiration

WORKING GIRL,1988 comedy, starring Melanie Griffith and Harrison Ford
GREAT EXPECTATIONS, by Charles Dickens
“New York, New York,” composed by John Kander, lyrics by Fred Ebb

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Thanks to U.S. Games Systems, Inc., for kind permission to use the image of The Chariot from the RIDER-WAITE TAROT.

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